Your complimentary articles. You can read four articles free per month. To have complete access to the thousands of philosophy articles on this site, please. Combining elements of detective fiction, the historical novel, the philosophical quest and the father-son initiation tale, the novel has appeal for many different kinds of readers. So fear not, gentle reader, in this article I will not talk about postmodern theory. Instead I will explore the philosophy of William of Ockham as a key to understanding the philosophical dimensions of the novel. His name even echoes The Hound of the Baskervilles. His disciple and scribe, a young Benedictine novice, is named Adso, which sounds a little like Watson. In appearance too Baskerville resembles Holmes — he is tall and thin with sharp, penetrating eyes and a somewhat beaky nose — except that Baskerville has fair hair and freckles. Like Holmes, who used cocaine to alleviate boredom between cases, Baskerville occasionally takes drugs, chewing on mysterious herbs that he learned about from Arab scholars. However, when Baskerville investigates a series of murders in an Italian monastery, it becomes clear that he is not a Holmes clone. For one thing, he is less sure of himself and more skeptical about his own methods. Baskerville, on the other hand, says that guessing is the essence of his method. Another way in which Baskerville differs from Holmes is in his attitude toward women. Inthe year in which The Name of the Rose is set, Ockham faced fifty-six charges of heresy, and was excommunicated after escaping to the protection of Emperor Louis of Bavaria. This put an end to his academic career, and he spent the rest of his life as a political activist advocating freedom of speech, the separation of church and state, and arguing against the infallibility of the Pope. They are patently perverse and equally contrary to orthodox faith, good morals, natural reason, certain experience, and brotherly love. This small tool made a big difference in slicing away the elaborate ideas of essential forms, hierarchies and teleologies that was the intellectual foundation of the Medieval European world. He finds that he is free, and by definition a creator. Rather, there are only individual men and women and the ideas in our minds about them which are fallible and subject to change. Ockham did not write much about women, but we Der Name Der Rose Sex Scene know that he questioned the natural supremacy of men and argued for a greater role for women in the church. There is much talk about sex in the novel, but little actual sex, because the monks in the abbey have no contact with women, and their desires for each other are necessarily hidden. In the one explicit sex scene Adso loses his virginity in the kitchen one night to the only woman in the novel. Probably with smaller brothers to feed. Baskerville sees even his enemies as individuals, understanding how in each of them their sexual desire has been differently twisted into fanatical lust for money, power, or knowledge. He explains to Adso that there are many kinds of lust that are not only of the flesh and can be far more dangerous. The novel can be read as a study of the seven deadly sins as different forms of lust, each illustrated by one of the characters. Even Baskerville realizes at the end that he has fallen into the sin of intellectual pride, and he laughs at his folly. He had imagined that the murders followed a pattern based on the Book of Revelation, but this conceit led him astray and prevented him from solving the mystery in time to save the library from burning down. I behaved stubbornly, pursuing a semblance of order, when I should have known well that there is no order in the universe. So the freedom of God is our condemnation, or at least the condemnation of our pride. The burning of the library is symbolic of the destruction of the Medieval worldview, for which some historians give Ockham the credit or Der Name Der Rose Sex Scene blame. Afterwards, in giving Adso his spare pair of glasses, Baskerville symbolically passes on his knowledge and curiosity. By showing that the books are destroyed but the love of learning lives on, Eco confounds common prejudices concerning the Medieval period. And many centuries before David Hume, Ockham criticized the idea of a necessary connection between cause and effect; and even more centuries before Karl Popper, Ockham understood the scientific method as a process of conjecture and refutation. Unlike the traditional detective novel, The Name of the Rose does not offer comfortable reassurance of the triumph of good over evil and order over chaos. It also makes readers uncomfortable by showing us a picture of fourteenth century Europe, in all of its brilliance and horror, as a mirror of our own age. What does it mean, the Salman Rushdie persecution, if not to try to destroy a book? Even today we have this continual struggle between people that believe certain texts are dangerous and must be eliminated. So my story is not so outdated, even though it takes place in the Middle Ages. I suspect that few readers will agree with Eco that our civilization has made no moral progress in the past millennium, but I think he is right that his story is not outdated. The seven deadly sins are still alive and well, as are the pompous intellectuals, greedy politicians, and lustful priests. We guard our libraries with laws and pay walls that prohibit public access to knowledge, and persecute those who leak information. Carol Nicholson teaches philosophy at Rider University in Lawrenceville, NJ. 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To have complete access to the thousands of philosophy articles on this site, please. I bet she went by Tiffany. Watched on. Nur: War er dargestellt, oder hatten Julie Christie und Donald Sutherland gar echten Sex? In England ist der Film sogar ab
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