From Mark A. Altman and Edward Gross, the bestselling authors of the definitive two-volume Star Trek oral history, The Fifty-Year Missioncomes the complete, uncensored, unauthorized oral history of Battlestar Galactica in So Say We All. Four decades after its groundbreaking debut, Battlestar Galactica —both the original and its reimagining have captured the hearts of two generations of fans. What began as a three-hour made for TV movie inspired by the blockbuster success of Star Wars followed by a single season of legendary episodes, was transformed into one of the most critically acclaimed and beloved series Chrome Hearts Sex Records Hat television history. And gathered exclusively in this volume are the incredible untold stories of both shows—as well as the much-maligned Galactica For the first time ever, you will learn the unbelievable true story of forty years of Battlestar Galactica as told by the teams that created a television legend in the words of over a hundred cast, creators, crew, critics and executives who were there and brought it all to life. So Say We All! What emerges is an intriguing look inside the sausage-making process that is television and film production. Altman and Edward Gross do an unbelievable job organizing large quantities of information. What went on behind the scenes? Some days you have liftoff, and other days you blow up on the pad. Trust me, this is what it's like. A must for genre fans and aspiring filmmakers alike. EDWARD GROSS is an author and journalist, currently Executive Editor of Empire Magazine Online and co-author of the bestselling The Fifty-Year Missionthe definitive oral history of Star Trekfrom St. MARK A. He co-authored The Fifty Year Mission with Edward Gross. Let the attack begin. The year was Nine hundred and nine followers of Jim Jones did drink the Kool-Aid and died in a mass suicide at the behest of the tragically charismatic cult leader, while Louise Brown, the world's first test-tube baby, was born. The dominant New York Yankees once again won the pennant, while the Dallas Cowboys triumphed in the Super Bowl. Yet another reason not to mess with Texas. Other films released that year were Animal House, Heaven Can Wait, Halloween, Midnight Express, and, most memorably, in late December, Richard Donner's revelatory Superman: The Movie. Keith Moon of the Who died that year, as did Nancy Spungen, who was violently stabbed to death by her boyfriend, Sid Vicious of the seminal punk rock band the Sex Pistols. If you visited the bedroom of many a young teenager inyou'd likely see Kenner's ubiquitous Star Wars toys, a 2-XL talking robot from Mego, and a poster of Farrah Fawcett thumbtacked to the wall. And not surprisingly, the video game Space Invaders continued to collect millions of quarters in arcades around the world. Ironically, a different kind of space invader was about to take over Chrome Hearts Sex Records Hat that year, Battlestar Galactica, a landmark series for television as well as a personal triumph for its creator, Glen A. Although not exorbitant by today's standards, the series' estimated price tag of one million dollars per episode was a turning point for the —79 season and the industry as a whole. Millions watched as the most publicized series in history made its three-hour debut at P. Wondering what was on Fox that night? There wasn't one — the Fox network didn't debut until — nor was there any major network at the time other than NBC, CBS, and ABC, the so-called Big Three. By the time of his death inGlen A. Larson would become one Chrome Hearts Sex Records Hat the most successful and prolific television producers of all time, but indespite early triumphs, he was still at the beginning of an enviable career that would later include B. Born on January 3,in Long Beach, California, Larson, a devout Mormon with eight children, already had several series on the air by the time he pitched Battlestar Galactica to ABC, among them Alias Smith and Jones; Switch; Quincy, M. A broadcast veteran, Larson began his early career in music, as a member of the musical group the Four Preps, for which he composed three gold-record-winning songs. Attracted to the film and television industry, he began writing teleplays for such series as Twelve O'Clock High. His talents were soon noticed by veteran screenwriter Gene L. Coon, who had just left late in Star Trek 's second season to run the Robert Wagner—toplined series, It Takes a Thief, and became a mentor to the creative young writer. Larson rose quickly through the television-industry ranks, advancing from writer to story editor and, eventually, to series producer and creator, showrunner, and fixer. GLEN A. Like most ideas, writing isn't writing, it's rewriting. You're searching and playing with your themes. One of the things you do as a writer is that if you have a story problem you reverse it; you find ways that if you can't make something happen one way you look at the opposite. It's a little trick of writing you use in mysteries or anything else. You find out that you don't force things by doing that.
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